MUS100-Johnston test #3 study sheet

Test #3 is 100 points, multiple choice and true/false, with 10 listening examples.

Reading: Chapters 19-30 including the terms at end of each chapter. [Chapters Preface-5 are on ALL tests.}

The tests are multiple choice and true/false except for the listening which is matching. For the most part, I will take the questions from the McGraw-Hill test study questions found on <http://highered.mcgraw-hill.com/sites/0073122130/student_view0/chapter19/multiple_choice_quiz.html>.

Additional study tips:

I suggest that you first read the text carefully, paying attention to each heading and the terms. Do the listing as you meet the pieces in the text.

Then go to the class web page and click on the study guides. There you will find the actual listening test. Study those pieces - listen and learn the name, composer's name, and period of each piece. ONLY PIECES FROM THE PERIODS WE ARE CURRENTLY STUDYING WILL BE ON EACH TEST! For for Test #3 those would be Romantic through 21st Century ONLY. Use 3"x5" cards, putting the name of a piece on one side, and the composer and period on the other. Memorize this part.

Then click on the McGraw-Hill test bank and try to answer the test questions for each chapter. The tests will all be multiple choice / true-false, and will come from those questions!


+LISTENING

The listening examples played will be chosen from the book's examples. To identify what you hear, you will choose from the following lists.
Remember that for the periods, we only answer from the periods we are currently studying. For for Test #3 those would be Romantic, Impressionistic, and 20th Century ONLY.

The actual listening test is below! I will play 10 pieces, a minute from each piece (could be the center or end of the piece). Then you will identify the pieces giving the title, composer, and period for each.

Listening (see your text, page xxv), example #'s 33 - 68

MUS 100  Professor Johnston
Listening test #3
10 examples to be chosen from the following---

Titles:
a.	Einstein on the Beach, Act IV, Scene I
b.	Bloomdido
c.	Symphonie Fantastique, V
d.	The Perilous Night
e.	Adagio for Strings
a.	The Rite of Spring (La Sacre du Printemps) excerpts
b.	Ensembles for Synthesizer
c.	Liebestod from Tristan und Isolde
d.	Appalachian Spring: Variations on Simple Gifts
e.	Nocturne in Eb Major, op. 9, no. 2
a.	A German Requiem, How Lovely Is Thy Dwelling Place
b.	Five Pieces for Orchestra I-V
c.	Three Places in New England, Putnam's Camp, Redding, Connecticut
d.	Pierrot Lunaire, Mondestrunken

Composers:
a.	Debussy
b.	Cage
c.	Webern
d.	Schoenberg
e.	Babbitt
a.	Berlioz
b.	Barber
c.	Copland
d.	Chopin
e.	Wagner
a.	Ives
b.	Stravinsky
c.	Parker
d.	Brahms
e.	Glass

Periods:
a.	Baroque
b.	Classical
c.	Romantic
d.	Impressionistic
e.	20th-21st century